The Conflict in Ivan Vyrypaev’s Dramaturgy

The article deals with the specific features of dramatic conflict in plays modern playwright, director, actor Ivan Vyrypaev (born 1974), who works Russia and Poland. We explore nature his written 2010s (Iranian Conference (2017), Disquiet (2018) others). In that period, new tendencies development appeared Vyrypaev’s works, being based on clash not between characters, as before, but discourses: currently relevant ideas, statements, rules attitudes behind them determined by public moods. This strategy clearly reflects author’s position: playwright understands text an opportunity to represent discourse, he has often mentioned interviews. material study research methodology: discursive drama is analyzed using ideas methods discourse analysis developed Michel Foucault, Teun van Dijk, etc. course research, we Vyrypaev's play Closed Study. New Constructive Ethics (2021) detail. shown develops consistently: from representation discourses their collision. Further, very reliability discourses, boundaries problematized through construction double communication: communication built only characters stage also author audience. Research. Ethics, ‘new ethics’ are deconstructed. audience sees a imperceptible formed both contradiction viewer’s knowledge characters’ off-stage life circumstances. Understanding expands existing understanding Russian drama’ whole.